![]() | ||||||||||
|
The Hall of Raziel
Here we will be posting mystical experiences of our House members. I once had a vision. A milky sea of creation and a golden sky. This acted as a backdrop for a swirling world forming from the sea and the sky... The vision could be linked to the Hindu creation story. the story refers to the "Churning of the Sea of Milk." Set at the beginning of the Golden Age, the Churning of the Sea of Milk explains how the forces of light (devas) and darkness (asuras) once worked together to generate the elixir of immortality that the Hindu scriptures call the amrita. At the beginning of the world, the devas fought bitterly with the asuras for a thousand years. Is this the Hindu angel wars? On this section the following text will refer to think pieces. These will change periodically. If you have something you would like to share please contact us...
October 2008 Andy Collins was very kind enough to comment on some of these, a busy, busy, valuable friend. Often it is hard to get a focus on this kind of thing, so, I welcome others' thoughts and contributions to these. If you have anything please get in touch using blog on The Chamber of the Seven Rivers Cat People - 4 Dreams
I was exploring a jungle type of environment. I came across a clearing with a cave. The entrance of the gave sported a mask human and feline in its appearance. It also served as a release for a water stream or small waterfall from its mouth. This mask appeared to be carved out of the rock to the side of the entrance. Inside the cave there was a large "room". The room had pillars and on each of the walls there had been carved a recess. The recesses were humanoid in shape. inside each or these recesses were single channels that culminated into a round shallow bowl shape. The perimeters of these recesses were decorated with 5 round carved indentations. One at the apex one at each shoulder and one each side adjacent to where the wrists would be.
Dream 2: 26th July 08 I could suddenly see a row of "Royal" beings sitting on "thrones". They had a stately air about them. Their eyes were engaging/magnetic/frightening in that they seemed to be able to transfix me. they kept my attention. I became aware of how their faces were constructed - focused on one of them. She had green eyes - stunning. The head was constructed from overlapping folds that formed the face shape, these could unfold and reform. The attention was dropped and i became aware of a group of people at a distance. they were a different "race" they were more primitive. These people knew the cat people. They were making marks/drawings on the wall...these were representations of the cat people.
The woman wears a special headdress that was introduced into the Maya region from highland Mexico in the fourth century A.D., along with a major war god called in ancient Mayan, Waxaklaju'n u B'aah Chan, or "Eighteen Snake Heads." Although a foreign deity, this being became the standard god of war among the Classic Maya. The head of this jaguar beast is, in fact, that of the Mexican war god in question. As paired with the birthing shrine on the viewer's left, the presentation of the battle palanquin refers to the role of royal women in bringing war gods into this world to wreak havoc on their enemies. While worn and eroded, the hieroglyphic inscription on the Dallas Tablet provide critical insights into the history of Sak Nikte' and its relationship to the great Kan Kingdom to the north. The text refers to the arrivals of three royal "Snake" women at Sak Nikte', in A.D. 520, 677, and 721. Given that all three women are said to have arrived at Sak Nikte' from the Kan capital, it is likely that these are images of the actual palanquins they would have rode into the site, bringing with them the powers of Creation and War.") - the above extract from www.archaeology.org Dream 3: 28th September 08
I woke up and said Lion Hill - Lionell - Lion-El
Dream 4: 16th Oct 08
I suppose the drawings do not fit acurately with the given images here but they do have some commonality. |
||||||||||